I caught a few of the first series of Marion and Geoff when they aired in 10-minute late night slots on BBC2. At first, like almost everyone, and entirely as intended by writer/actor Rob Brydon and director Hugo Blick, I wasn't sure what to make of the programme. Like The Office, but before that genius programme was ever seen, it confused reality with fiction, and showed comedy and sadness in the same shot. The second Alan Partridge series combines this a little, but is a heavy caricature, and nearly always played for laughs. About 25 minutes into the story of Keith Barrett, lonely cab driver in London who longs for his children and estranged wife in Cardiff, I was brought close to tears and smiling as broadly as the River Severn. All within the space of thirty seconds. Marion and Geoff, as anyone who loves the first series knows, can turn on a knife-edge. It is a skill very few TV programmes have ever demonstrated.
Series two is packaged differently. Instead of the 10 minutes at a time in Keith's taxi, we now have 30-minute episodes. Keith has grown in the intervening few years. He still lives a pretty solitary life, but at least he's been promoted to chauffeuring duties for a film director's wife. But he still misses his little smashers. That Alun and Rhys are growing up without their dad, and in Geoff's house, is a painful fact that continually pushes at Keith, and perhaps even more so at the viewer. Despite his cheery optimism, you can taste the scurf of defeat.
But it is impossible to ignore how funny a lot of this is. The second series, perhaps even more than the first, is sad and poignant, but it is also able to make you laugh out loud, over and over. Keith's innocent relationship with the lady of the house he drives around is played comedically at first, but you begin to sense a bond between them growing. There is a joyful, touching sense of possibility in Keith's new life. He even has a substitute son, the film's director's, whom he drives to school. The boy clearly adores him, and it helps to remind you how good a dad Keith must be. Geoff can never be the man Keith is, despite his easy success in life.
It is still in Brydon's telling of a story that the fun comes. What is left unspoken is almost tangible, giving you more metres of background than a whole film. He does this in just a few words. It is a marvel of acting and a lesson in how to tell a tale. You feel as if you know everything about Keith. The bonus episode that comes on disc two of this DVD is a good demonstration of this storytelling feat. Using a full cast, and outside the car, it plays out the day that Marion ran off with Geoff. That entire hour of TV was contained in one 10-minute episode of the first series, told by Keith direct to camera. And the shorter version is infinitely more evocative than the full-cast retelling. You don't need guest appearances from Steve Coogan when you can make a person laugh, cry, cringe and smile just with the faintest movement of an eyebrow. Brydon can do this, and it is spectacular.